Here is the second beaded piece I entered to Fire Mountain Gem‘s Seed Beads Contest.
Actually, I created the piece for an editorial photo shoot. [ You can read more about it here ]
It is inspired by the glamorous accessories people wore in 1920s in general . . . and Daisy Buchanan (of the Great Gatsby) in particular.
I call this (stylized) leaf-shaped hair adornment Ceaseless Ardor . . .
It embodies Jay Gatsby’s eternally unrequited infatuation towards Daisy Buchanan . . . Many years has gone by, but his idolization remains strong and unchanging. Whenever I reflect upon that aspect of the tragic story, the word evergreen pops up in my mind.
Evergreen . . .
That’s how Jay Gatsby sees her
Eternally beautiful, graceful, and glamorous.
Evergreen . . .
That’s what she will always be remembered as
The object of Jay Gatsby’s eternal adoration.
And . . .
That’s the how Jay Gatsby’s feeling towards her will remain . . .
Everlasting . . . undying . . . amaranthine . . .
And, so . . . when I was asked to create a Great-Gatsby-inspired bridal accessory, I couldn’t find a better design to represent Daisy Buchanan than an evergreen-leaf.
Plus, I believe that this is a headpiece Daisy herself would’ve wanted (or considered) to wear.
I also made the headpiece as sparkly and opulent as I possibly could. To do it, I used nothing but sterling silver beads, silver-lined bugle beads, gleaming Swarovski crystal pearls, extremely shiny fire polished beads, and 24k gold plated beads to embellish the piece.
With that basic idea in mind, this is how I created the headpiece.
It’s important to make sure that the piece will look nice when someone’s wearing it . . . and that it’s neither too small or too large
Using beads, I “drew” the outline of the design.
I call this step “drawing with beads” . . .
Covering the beading foundation with beads . . . making sure that the beading foundation is completely covered, and that the yarn doesn’t show up at all.
I have a thing for dimensional and textured beadworks. So, I used different kinds of beads in several different sizes to create the effect.
I call this step “coloring and shading the design” . . .
Blocking (or shaping) the headpiece using a traditional millinery hatblock.
That way, it will perch beautifully on top of the wearer’s hair.
See how it curves?
Heat-treating the edges of the ultrasuede so none of its parts will unravel.
I basically melted the edges of the ultrasuede with candle flame.
Beading the edges of the beadwork and the ultrasuede to connect those two parts into one seamless piece.
Creating the straps/headbands
Yep . . . this part isn’t made using a pre-made chain . . . it’s constructed one link at a time . . .
Phew . . . what a long post!
I guess I better show you the third piece I entered into the contest – and its design process – another time :O
Next Saturday: The third design I entered into Fire Mountain Gem’s Seed Beads contest
Want to see what I’m making right now? Find me on Instagram. My user name is AngelicaBrigade.
You can also see my current work in progress and other behind-the-scenes activities here.
Have a wonderful weekend, you guys!!!
-joyce of Angelica Brigade
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Update (1/13/2014): You can find the list of all of the materials I used to create the headpiece here
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